Monuments at Night, Nov 3

An accumulation of light.
Nov 3, 2005, Monument Valley AZ
Pentax 6×7, E200 push 1-stop, 90 minutes at f/4

I am staying at the Hampton Inn in Kayenta Arizona.  It is not your usual traveler’s stopping place that I have become accustomed to in my business travels.  It is an attractive contemporary adobe building, tastefully appointed with beautiful Navajo art and artifacts.  Gentle native music is piped to the public areas.  An interesting Navaho outdoor exhibit is also well presented.  The native American flavor is augmented by modern conveniences—full breakfast, wireless internet, pool, patio, and an attractive and comfortable lobby.

Since the cloudy skies had kept me in, I suffered another full night of sleep.  Now, unexpectedly alert at an early hour, I noticed all of these niceties at breakfast while I started planning my day.

I also noticed an older couple, or rather, they noticed me.  And for some reason, maybe because I was alone at a table making entries in my notebook, they decided that I needed company.

They were gregarious and garrulous, she a travel writer of twenty years for the Chicago Tribune, still writing columns for various papers, and he an attorney, no longer practicing, both of them skilled with words and language, both widely travelled.  They were adorned with native attire: turquoise necklaces, silver wristbands, belt adornments.  She wore a flowered dress, hat, and moccasins.

They told me of coming here every year for fifty to replenish their souls, wandering down backroads to old trading posts and remote locations.

In recent years however, they had been warned to avoid certain roads.  Drug dealers are unforgiving and have killed police and bystanders alike for reasons that make sense only to them.  He (Jim, the lawyer), had once carried firearms for protection, but now doesn’t—not because they’re illegal, but because they’re impotent against the firepower of drug dealers.

This gave me pause as I considered my typical nighttime activities.  I should probably avoid remote roads to avoid inadvertently crossing paths with some late night transaction.  But that would be restrictive, the best dark sky sites are found on such roads.

I listened to more.  They had stories to tell, fascinating facts, history and lore, and each triggered a further story from the other, taking turns to tell them to me.  I was quite impressed, and decided to try and follow some of their directions to the local destinations they described.

Among them was the Shonto trading post.  The road to it was covered with rippled sand, an advance of the desert onto our human trails.  The last section of road down to the valley was a rough rock ledge, blasted from the cliff with spent guard posts—cabled together but eroded and yanked out of their moorings.

The sand-covered road to Shonto.
The last part of the steep descent to Shonto Trading Post.

The trading post itself was mostly empty shelves, but provided bread and milk to local customers.  When there is nothing else, this is the center of mercantile life and the focus for goods that cannot otherwise be hunted or farmed.

And it was apparent that I stood out from the local customers.  One of them, standing outside the trading post sized me up and had to find out “Where are you from, Alaska?”  I knew that I would never pass for a local, my complexion and attire was not frequently seen here, but I must really stand out, even from the other tourists! 

I returned from my excursion and on the way back encountered the structure that supplied coal cars from the nearby Peobody mine via tall storage elevators.  It had been lit up like a giant diamond ramp the night I drove in.  The elevators were fed by a conveyor belt from the mine and in turn fed rail cars on a train powered by overhead 500 kilovolt electricity!  [Update 2019: the facility is closing due to the diminishing use of coal in the U.S.]

I have plans for tonight.  I will test my “twilight exposure model” by taking pictures with my digital camera and comparing with the sun elevation data that I downloaded from the US Naval Observatory.  In preparation, I cleaned the image sensor.  I did not have the proper tools to do this.  When the nearest camera store is hundreds of miles away, one must improvise, so with the turkey baster I had acquired at the local market, I made quick blasts of air to blow off the dust particles.    It seemed to work!

As the sun set, I positioned myself to take pictures of the rapidly darkening sky toward the east.  I managed to take a few exposures according to my prescribed time schedule and exposure guide, but got distracted by the very young moon to the west.  I abandoned the experiment in favor of the beautiful scene behind me.

The nearly invisible sliver of a one-day moon.

With the sun having set, but the sky in that limbo between civil twilight and astronomical twilight, (dusk and dark), I went to the nearby Goulding’s resort and enjoyed dinner, hoping that the clouds and wind would go away while I refueled.

The clouds dissipated, but the wind continued.  When I returned from my dinner break to the campsite (that I had booked for another day), I decided that I should try and find a windbreak so that my telescope would be protected from the image-blurring gusts.  It was a short hike to the visitor center, where I found a position on the veranda behind one of the walls where a relative calm protected my tripod.

During the next six hours I was able to take a number of astrophotos through the telescope.  The residual wind was still a hassle, finally dying down after 1:00 am.   I had two targets, the Orion Nebula and the Cone Nebula.  Unfortunately, my tracking skills, even in the reduced wind gust, were not up to the task, and I would later find that the exposures were not stable enough to work with. Nevertheless, it is always good when one can practice the art.

Meanwhile, during the time I busied myself with the details of making these exposures, I had set up my film cameras to record even longer durations.  They yielded lengthy star trails over the monuments, which are really only a blip of time compared to their geologic history.

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Monuments at Night, Nov 2

San Juan River Goosenecks, UT

In exchange for the aborted photo session, I enjoyed a full night of sleep and awoke recharged and ready to further explore the area.  After last night’s efforts, I recognized a few more things I am in need of:  AA batteries (of course), a blanket or tarp, and a stool, adjustable, for help while guiding the telescope at awkward positions.  I also needed to fix the too-tight declination gear on my telescope mount.  I noticed that there was dust on my digital camera sensor; I needed something to blow it off.  These are things I should be able to accomplish during the daytime hours while doing reconnaissance for my next nighttime excursion.

I headed north, back toward Monument Valley, this time looking for viewpoints with north-facing vistas, but all the interesting compositions seem to be east of north.  I continued, past the visitor center and campground, and then past the iconic bluffs into Utah.

Here I found Gooseneck State Park, a flat empty span at the top of a huge canyon of the San Juan river, which made meandering oxbow cuts into the mesa.  In the distance, the monuments I had left behind were visible on the horizon. 

At this pleasant site, I set up my telescope and mount and performed the fine-tuning needed to correct the misalignments from the bruises and bumps during travel.  I also corrected a guide mirror which I discovered I had installed backward.  I aimed the telescope at the distant monuments.  In this view they looked like Stonehenge.

Monument Stonehenge, the telescopic view.

The forecast was not encouraging, and on the way back I saw the buildup of clouds.  Still, the scenery was spectacular, and at sunset there was a momentary break in the clouds that allowed a nice silhouette. 

Sunset, returning to Monument Valley

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Monuments at Night, Arrival

Mars over Mittens, Twilight at Monument Valley
Nov 1, 2005, Monument Valley AZ
Pentax 6×7, Provia 400, 30 sec at f/3.5

I have long been fascinated by the landscapes of the southwest, and in particular the peculiar rock formations found in Monument Valley, a unique area straddling Arizona and Utah.  I am not the only one that finds them intriguing: it is a very popular photographic and film-making target.

When a business trip took me to a conference in Phoenix, I decided to prepend a personal trip to this Navajo Nation Tribal Park to take pictures of the night sky.  My plans were ambitious; I wanted to take wide angle star trail photos featuring the famous buttes, but also, knowing how remote and dark this area would be, to take guided astrophotos of some deep sky targets. 

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Third Tail

Third Tail
Lake Zumbra (Victoria MN), 9:00 pm 8 April 97. 
Kiev-88 80mm, 5 minutes at f/4 on PMC400.

Notes from Thor’s astrophoto journal:

On April 8, a friend joined me to observe Hale-Bopp at my nearby and nearly-dark site at Lake Zumbra.  We enjoyed watching the very young moon set, then went about preparing to take some pictures. I was hoping to get a shot taken at a smaller lens aperture so the stars would have less distortion than in my earlier photos.

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City Cometscape

City Cometscape
Lake Calhoun looking at Minneapolis, 4:00 am 23 March 97. 
Kiev-88, 80mm , 20 seconds at f/4 on PMC400.

Notes from Thor’s astrophoto journal:

I thought that the view of comet Hale-Bopp over a cityscape would make a striking photograph.  There were only certain view angles and observing times that worked however.  To get the comet to hang over downtown Minneapolis in March, the time worked out to be around 3:00 am along a northeast line of sight.  Surprisingly few vantage points existed; the streets headed off in the wrong direction, or the view was obscured by trees,  buildings or streetlights. 

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Hale-Bopp over Hyland Tower

Hale-Bopp over Hyland Tower
Bloomington MN, 4:00 am 15 March 97. 
Kiev-88 80mm f/2.8, 30 second exposure on Tech Pan 120 film.

Notes from Thor’s astrophoto journal:

This picture was taken with a Kiev-88, which is a Russian-made clone of  a Hasselblad (a high quality  camera that was taken to the moon).  It uses the larger size 120 format film.  A colleague suggested that this unused camera should be stored in my office  instead of his.  And since I had no use for it there, I decided I should try it out on one of my comet photo outings.

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4.3 Please show your permit

Another challenge in making photographs of the night sky

On a summer camping trip with my family some years ago, I attempted to make a star trail picture showing Mt Hood in Oregon as reflected in one of the nearby alpine lakes.  Unfortunately, that remote location was not quite remote enough, and I found that other campers were intruding on my composition. 

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Cows and other hazards of astrophotography

I have encountered various unexpected events while photographing the night sky.  Some are spectacular, like the flash of a brilliant meteor exploding in the sky and lighting up the landscape.   Some are startling: the crash of a tree felled by a nocturnal beaver.  Some are annoying: the competitive calling of amorous ducks and their disruption of the mirror lake surface I was trying to photograph. And some are downright dangerous. 

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