The Relay Clock

It may not look like it, but this is a clock, one of the world’s first digital clocks, circa 1973.

When I was twenty or so, I built a clock. It was a clock that used electromechanical relays to count the seconds, minutes and hours. I was early in my electrical engineering studies and barely understood Ohm’s law, but I was aware of electromagnets, and how they could be used to make mechanical movements. Some of us call them solenoids, coils of wire that magnetically push or pull an iron piston to make and break switch contacts.

My dad, in his ham radio hobby quest for cheap electronic components for whatever future project he might undertake, had acquired various relay mechanisms. He showed them to me and explained how they used electrical pulses to move a metallic wiper to a series of successive contacts. These were telephone relays, used when you “dialed” the phone. One relay, responding to a single rotary dial action could connect you to ten possible neighbors. Cascading it with another set of relays would allow calling up 100 neighbors. More phone digits would extend it even further, you get the idea. I barely understood how to deliver current to energize a relay coil, but I could figure out how to connect the contacts to make a sequence that counted.

Another item from my dad’s ham shack inventory of salvaged components was a numeric display, something you might see in an elevator (60 years ago) indicating the current floor. It used incandescent light bulbs to project a numeric figure on the screen. Ten separate bulbs, each behind a number glyph mask; one of which was selected for the current digit value. I figured out how to connect the telephone relays to the elevator displays to make a clock.

I was quite pleased with the result and when I got it working, I showed it off to my friends. But it had several drawbacks. First, it was noisy. Relays are mechanical devices that magnetically pull metal contacts against each other, resulting in a click-clack noise as they activate and release. The relays counted seconds, so there was a click-clack noise every second. And at ten seconds there was an additional click-clack, as the next relay responded to the carry pulse. And at 59 seconds, there was a carry to the minute-counting relay. As the carries propagated to the hours, a peak acoustic disruption occurred as the clock transitioned from 12:59:59 to 01:00:00.

The other drawback was that the clock got hot. As I said, I did not yet understand the relationships of voltage, current, power and heat. I just hooked up the components to make the displayed result I wanted. The numeric display, comprising light bulbs, used quite a bit of power. And the relays required power too, and my power supply was terribly inefficient. As a result the clock, in the glass case I made for it, built up an enormous amount of heat. I tried to ameliorate it by installing an internal fan, but this seemed only to make things worse (the fan used power too).

I kept the clock as a curiosity piece, displayed on a fireplace mantel in our home. It was intolerable to run continuously, so I would switch it on to show visitors that it actually worked, and then shut it down to stop the noise. Eventually, the clock got packed up during one of our moves and stayed so.

The boxed-up relay clock was in storage for at least 30 years, but I would occasionally encounter it hiding among my workshop parts and supplies. I recently ran across it. It had endured the desecration by (and excrement of) rodents, the decay of electrical components, and the binding of mechanical joints. I wondered why I had saved it all these years.

Well, the idea of resurrecting a contraption that I built half a century ago carried a certain appeal to me. Having since learned the principles of electricity, maybe I could bring it back to life and its former geek glory!

In the next series of posts, I will describe the process of restoring this pioneering clock.


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Penultimate Penrose

My printed tile map.  It identifies the fat and skinny rhombus tiles so that I knew how many to make and how to place them.  It was generated based on a simulation of  an edge length of 250mm and a gap width of 6mm, adding up to a nice binary number.

I suspended this project in order to go on a roadtrip to capture pictures of the night sky in the beautiful deserts of the Southwest.  I am currently working on them, and hope to share them soon, but the Penrose tile floor project carries a higher priority—we want our screen porch back while it is still summer!

Having prepared my tiles to the best accuracy I could coax from my woodworking tools, I now faced how to place them on the floor.  As before, I considered the advice from Ken Adelman, who recommended “dis-aligning” the pattern from the rectangle of the room, to avoid difficult or awkward-looking tile fragments at the edges.  He also recommended identifying a center point and creating reference lines radiating at angles that match the pentagonal symmetries of the tiling.

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Science or Sentiment, Generalized

Career “trophies”, coffee mugs, one of which was created by dye printing technology (depicting our development team), the other a memento commemorating the issue of an arcane patent.

There is a more general problem related to the “what to do with old lab notebooks” that some of us face.  It is what to do with our shoeboxes of photos (virtual digital shoeboxes and real ones).  And written correspondence.  Love letters.  Birthday cards and holiday cards that caught our attention enough that we saved them.  The trophies, actual physical trophies, or the certificates of commendation for a job well done.  Birth and death announcements.  Souvenirs of our travels, the mementos of the high points of our lives. 

All of them carry great meaning to us, invoking a romantic haze of fond memories from those times and places, for those people and events.  Yet those memories are internal to us; they are not shared, even with the persons we may have shared the moment with—at least not exactly. Each of them has his or her own version of those scenes.  And they are not shared in the same way with our children, and certainly not their children.  Our lives are an abstraction to them.  They weren’t even around when the main story was unfolding.

I have come to realize this in the last few years as I have processed the items left behind by my parents after their deaths.  I have a high regard for my father’s technical acumen and his many projects.  Some of them were to gather and archive family history, others documented his personal interests.  He was always an early adopter of technology and embraced digital photography well before I did.  He acquired a large collection of both film and digital pictures, organized in shoeboxes and digital folders.  He worked to digitally scan historic family photos that dated back to the 19th century. 

There is a treasure trove of history here, some even recent enough to overlap with my own, yet I do not find myself compelled to explore it.  And therein lies the problem.  If I am not inspired to carry forward the artifacts of prior generations, why would I expect subsequent generations to propagate mine?

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When Given Cold Weather…

A flash-frozen soap bubble.

When given lemons, make lemonade. 

When given subzero temperatures, freeze soap bubbles. 

This is one of those things that I have wanted to do for some years.  Living in a place where the temperatures drop to levels well below those in your freezer that solidify water and can preserve slabs of reindeer meat, each year I enjoy a few days of dangerously cold weather.   One can throw a pot of hot water up in the air and it turns into a spectacular cloud of steam and snow; no liquid lands on the ground!  It is also possible to blow soap bubbles that freeze into gossamer ice globes.  They are delicate and beautiful, and I have long wanted to photograph them.

Each year when the outdoor temperatures drop sufficiently, I have tried to do this.  Invariably, there is too much wind—any wind is too much—and the bubbles wander away.  The ones I can catch, usually burst before I can take their picture.

This year however, I had a new strategy.  We recently installed windows on our outdoor screen porch.  The temperature remains cold, but the wind is completely blocked.  I can now make soap bubbles and they won’t get away!

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The Wall of Books

This is adapted from a tribute that my father made at the memorial of his father, Theodore Olson, after whom we are both named, who died in 2002 at the age of 97.  I post it here for the online access of posterity, and to provide a portrayal of the scientific mindset of a family patriarch that influenced not only his students, but his entire family and several generations beyond.  Here is my father’s rendition of our family history.


The start of this story goes back almost 150 years. In about 1860 in Norway, Hans Opjörden left home and went to Oslo. Hans had the misfortune to be the second son in his family, and that meant that his older brother would inherit the family farm. Hans left home and headed off to Oslo, where he went to work in a shipyard building boats. After a while he decided he really wanted to sail on the boats instead of just building them. At this time Norway was a province of Sweden.  Shrewdly, Hans changed his name from Opjörden to Olson (with a Swedish spelling) and got Swedish sailing papers.

He went on several voyages and along the way befriended a shipmate named Peter Magnus Peterson.  We can imagine a conversation between them based on what subsequently happened.  Hans confided that he’d really wanted to be a farmer but had no prospects of getting land—and that being a sailor was not his “dream job”, but was good paying employment. 

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A New Home for Nightscapes

“Climber Trails”, from my gallery of film startrail classics.

The internet has evolved tremendously since its early days when I first tried to use web pages to show the results of my nighttime photography.  Back then, our (dial-up) Internet Service Provider (ATT) offered a home page and a URL subspace to their customers.   I took advantage of it and crafted some pages to hold my pictures and stories.  Later, I acquired my own domain, nightscapes.net, found a host, loaded my stuff onto it and even got some professional help to re-organize when it became unwieldy. 

I learned that maintaining a website can be a lot of work; the technology evolves, links and scripts break, web page conventions, html standards and visitor expectations change.  I’m not a programmer (despite a lifetime of doing it), and my interests are in the art and science of images, not the latest network and browser technologies for supporting the latest desktop/laptop/tablet/phone displays.

So I was excited to discover a website service oriented toward photographers, a platform with a small army of support people who maintain it, with features that display photographs at their best, regardless of display or browser, keeping up with the latest updates to internet programming standards.  They offer additional services for professional photographers (“buy print”, etc), and at an earlier time I might have subscribed to them.

But I am happy now to keep the shopping cart icons suppressed and not distract from the images themselves.

I have transferred my collection of nightscapes accumulated over the last two decades, over to smugmug, where you can find it at thorolson.smugmug.com.  I know people don’t power-browse through large collections of pictures, so I consider this to be really more of an archive, to continue my project of making a digital coffee table book of my favorites.

But I will also use the site to display my more recent work, as I complete it.  It will be a relief to have a way to do so without the overhead of manually creating and integrating new web pages for them. 

I intend to make posts to this, my personal website, when I add new photographs.  I invite you to subscribe or “follow” me, which will send you an email when new posts are made.  If you are intrigued by the types of pictures I like to take, well, I take enjoyment in sharing them and would love to have you as a follower.


Monuments at Night, Nov 6

Mitten at midday

I am at the end of my designated time for this expedition.  I must now return from whence I came, to a civilization density that can host a technical conference, and will also develop the latent images captured on my film from this remote beautiful place.

As I reflect on the past few days I realize that there are more things that I would like to do.  I never did get to the Goulding Museum, or to the trading post near there (which I was told by the traveler couple was closed on the weekend).

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Monuments at Night, Arrival

Mars over Mittens, Twilight at Monument Valley
Nov 1, 2005, Monument Valley AZ
Pentax 6×7, Provia 400, 30 sec at f/3.5

I have long been fascinated by the landscapes of the southwest, and in particular the peculiar rock formations found in Monument Valley, a unique area straddling Arizona and Utah.  I am not the only one that finds them intriguing: it is a very popular photographic and film-making target.

When a business trip took me to a conference in Phoenix, I decided to prepend a personal trip to this Navajo Nation Tribal Park to take pictures of the night sky.  My plans were ambitious; I wanted to take wide angle star trail photos featuring the famous buttes, but also, knowing how remote and dark this area would be, to take guided astrophotos of some deep sky targets. 

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